A spasm in which life is continually lacerated
on a beach of a decapitated
chicken, the absolute, base embodiment of all human experience. Crawling
through sand like insects across a
rice field in a loincloth in drag and nearly naked with grotesque
movements in a spectacle of heady sexuality
and chronic illnesses caused by nuclear war.
on a beach of a decapitated
chicken, the absolute, base embodiment of all human experience. Crawling
through sand like insects across a
rice field in a loincloth in drag and nearly naked with grotesque
movements in a spectacle of heady sexuality
and chronic illnesses caused by nuclear war.
Tatsumi Hijikata 深瀬昌久: スイカを喰う土方巽(大),
photograph by Masahisa Fukase, “Tatsumi Hijikata Eating a Watermelon (large)” (1970)
photograph by Masahisa Fukase, “Tatsumi Hijikata Eating a Watermelon (large)” (1970)
| “good” and “bad” or “beautiful” and “ugly” disruptive and farcical embracing a young woman supernatural weasel viscerally chomping painted white used in a 1965 performance |  |
Tatsumi Hijikata 鳥居良禅: 肉体の叛乱 (男根), photograph by Ryozen Torii, “Revolt of the Body,
Tatsumi Hijikata Wearing a Golden Phallus” (1968)
Tatsumi Hijikata Wearing a Golden Phallus” (1968)
It is December. Perhaps it should be summer. 41.8002° S, 172.3337° E. Rainfall exceeding all expectations. And still it Rains. And still i catch up. Various from November.
| TOO PISSED TO HIT’N’RUN i have track flood blinkers i’m an over- thinker sticking tape on windows blocking every chink of light so i might sink into oblivion and disappear into this demonic night all these black neck kissers needle sticking well wishers too pissed to hit’n’run blocked in by twisted strings all flicked and uncrossed until i’m lost at last to all and everything Q Quarter of everything goes to the guy with the wet mouth make no mistakes about his appearance he is not a fresh strawberry & cream tart Quieter than ever before the crack has filled with silence on either side there is a soft shuddering as the space becomes a defined anti-form | NATURAL BORN SCOUNDRELS they just don’t quit they just tuck right in and bite first your hands and your neck then your lips and eye-lids they are a slow death of sorts drop by drop stealing your life swooping down and in and around it doesn’t matter how you describe it or what you think nature is going to kill you and there’s not a thing you can do today i feel it deep in my muscles as they peel from my bones and all i can do is carry on just like i did before hoping the pain won’t get too much but really not having a clue how long i can keep it up how long i can shrug it off caught up in the midst of a shift old guard and new blood reckless dreamers with 2-stroke engines and tungsten tips heavy tales of K-code finales as the bio-security scoundrels break out the heavy weapons because what you can’t see can hurt you and we falter and slip down in-between the roots the sawdust clogging our airways and our fears manifest microscopic and ultimate |
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//////\\\\\\ In Abadan, Iran, on August 19, 1978, as the Cinema Rex audience watched Masoud Kimiai’s The Deer (1974) — a rebellious, street-level drama starring Behrouz Vossoughi, one of Iran’s most versatile actors — four individuals barred the entrances and doused the theater with gasoline. An estimated 400-plus people were killed as the building went up in flames.
Following public shootings in El Paso, Texas and Dayton, Ohio, which totaled in 31 deaths, Universal Pictures are withholding the release of factional satire
This is the latest example of reactionary governments blaming fictional creations for societal ills in the face of real-world horrors. Khoshbakht refers to this phenomenon as “mass graves of collective consciousness.” \\\\\\//////
PEOPLE vs. OIL vs. PEOPKLE vs. OPIL vs. IPOLPE vs. LIO vs. PESOPLE vs. UOL
over 50 people, from toddlers to grandparents, danced in the streets
a bright pink Mercedes, an oil-covered seabird and a fax machine
Shopping, or as an economist would refer to it, consumption, is the lifeblood of a modern economy, making up over 70% of all economic activity.
After his military discharge, his father became a furious alcoholic, abusive, and unable to hold down a job, so the family was supported by his mother, who had dreamed of being an actress.
a bright pink Mercedes, an oil-covered seabird and a fax machine
Shopping, or as an economist would refer to it, consumption, is the lifeblood of a modern economy, making up over 70% of all economic activity.
After his military discharge, his father became a furious alcoholic, abusive, and unable to hold down a job, so the family was supported by his mother, who had dreamed of being an actress.
___________ ______________ ___________________ ______ ___ _____________________ _________
They say this is California, a collective effort and a real good time. It isn’t. It’s a run down backdrop of Ugly Street, a rip in the fabric, bad blood on the floor. She walked as tall as the next man, swung her hips and flashed her eyes. Deep within someone else was sleeping and they were full of contradiction and feelings of despair. She just kept going, right on into the river, hardly slowing down as the grey slew of it pressed in around her like a physical assault. She changed her name, bought a different bag, held her breath and aimed for the opposite bank. She’d heard there was a mud village, less than a days walk away, where the Shaman had a candy-store and wore diamanté earrings. The women of the village lived between branches, elevated from the hard packed earth, in pulsing houses of flesh and bone. She was driven on by the corrupt possibilities of re-birth, mass-suicide and sublimation. Emerging from the shallows with a trail of striped polythene in her wake she shook herself like dog and crashed into the undergrowth growling and sobbing. Everywhere and nowhere had called her constantly. She could never keep still or settle into the kind of routine thought to be normal. It was strong and wild out there, the stem was bent and the signals clicking and sparking as the connection failed.
| Side effects mild, brief with single antidepressant dose of intravenous ketamine National Institutes of Health researchers found that a single, low-dose ketamine infusion was relatively free of side effects for patients with treatment-resistant depression. Elia Acevedo-Diaz, M.D., Carlos Zarate, M.D., and colleagues at the NIH's National Institute of Mental Health (NIMH) report their findings in the Journal of Affective Disorders. Studies have shown that a single, subanesthetic-dose (a lower dose than would cause anesthesia) ketamine infusion can often rapidly relieve depressive symptoms within hours in people who have not responded to conventional antidepressants, which typically take weeks or months to work. However, widespread off-label use of intravenous subanesthetic-dose ketamine for treatment-resistant depression has raised concerns about side effects, especially given its history as a drug of abuse. "The most common short-term side effect was feeling strange or loopy," said Acevedo-Diaz, of the Section on the Neurobiology and Treatment of Mood Disorders, part of the NIMH Intramural Research Program (IRP) in Bethesda, Maryland. "Most side effects peaked within an hour of ketamine administration and were gone within two hours. We did not see any serious, drug-related adverse events or increased ketamine cravings with a single-administration." |  |
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